FluteFling Online December 2020

Claire Mann to deliver FluteFling Online 12 & 19 December

FluteFling’s first venture into online events takes place in just a week’s time when Claire Mann will deliver four 45 minute workshops on Zoom over two consecutive Saturdays. The response has been terrific but luckily we are not limited by space and places are still available.

Tailored to flute, whistle and low whistle, Claire has helped to shape the workshop mini series to provide a way for people to focus on their music and instrument over three weekends and more. Uploads of Claire’s teaching material — both PDF sheet music and recording — go up this weekend, followed by the workshops themselves, which will be recorded. With time to go over the tunes, work on the ideas and techniques AND revisit the workshops, this is a close but realistic alternative to an immersive weekend away.

Although there won’t be any sessions, there is the additional option of recording some of the material covered by Claire for a group video, to be submitted for compilation by the end of December. That’s almost a month of digging deep into the music after the extended fallow period we all currently have had to endure. The video will be completed and made available later in January, giving us all something to look forward to in 2021.

It promises to be a memorable experience and much needed by many of us traditional musicians. How can you be sure? Well, all of the organisers have all bought tickets — Sharon Creasey, John Crawford, Pete Saunders and Gordon Turnbull.

You can get your ticket on the event page too. We look forward to seeing you there.

 

Flutes face potential problems post Covid-19

One of the questions that has cropped up in Covid-19 conversations amongst flute players and their friends is — how safe are we? As we begin to learn more about this aerosol-borne virus, singers and wind instrument players — flutes, whistles and bagpipes included — are being seen in a new light. Could a wind musician potentially spread the virus more widely than other musicians?

We don’t yet know the answer, but for flutes and whistles, splitting the airway through the far edge of the embouchure or the fipple is how the sound is generated. Air also escapes at the tone holes and at the end of the instrument. How fast is the air and how far is the air projected? Studies are ongoing but this is what is understood at present.

There is still much to be understood and my gut feeling is that the majority of the concerns at the moment relate to the flute and not necessarily the whistle. One speculated thought on the Facebook group is that blowing across the embouchure with force and direction may be an issue. If so, there may be a solution that has the added benefit of being a wind shield AND tone reflector. It’s the Win-D-Fender developed in the USA and carried in a few places in Europe and across the world.

Personally, I hope some additional thought goes into the name and the colour options as it seems functional and clinical (although in a world of PPE and face masks, maybe that is less of an issue). So here are a couple of videos endorsing the product (caveat: I’ve no idea if this works on wooden flutes).

Relating this to sessions, if this is helpful, then the airflow coming from out of the flute may then be the big issue. Sessions are often sight spaces and flutes tend to need more room than others. In a session with increased distancing, that may be a bigger issue. On the other hand, whistles are more self-contained and that may be an advantage.

Finally, on a more upbeat note, my own Lockdown tunes project on YouTube continues. Mostly Scottish repertoire, but not entirely. I hope you enjoy them.

 

FluteFling Fridays

Lockdown Projects

It is early May, the swifts have arrived this week in Edinburgh, meaning that Spring is now moving into Summer. And yet we are still in this stage world of pandemic and lockdown and I hope that everyone is safe and looking after themselves and those they love.

In Scotland we have had 6 weeks of lockdown and the early adrenaline rush that led to panic buying (toilet rolls? what was all that about?) has mostly subsided. I am fortunate in that I am still working, albeit from home. The bay window in our living room has become a low-tech mini studio for delivering content to schools and I am in there most days.

The FluteFling fraternity that is on Facebook now has a small but active community and that has been a good way of keeping in touch for some. I know Facebook isn’t for everyone, but is is one of many ways of keeping things going and supporting each other. Recent chat has included how to roll on F natural, Swedish traditional flute music and the sharing of videos. If you’re on Facebook, the group can be easily found.

Talking of sharing videos, I have a project of my own, to rediscover forgotten repertoire and learn those tunes I never got around to learning. Every Friday I record something and put it up on YouTube. It gives me a focus, even if I don’t feel like doing it and even if I don’t have the tunes *completely* down or the performance fully thought through.

Many of the tunes have been taught in FluteFling classes or workshops, but not always by me. Here’s the latest one and if you head over to YouTube you can catch the rest and future ones too:

Hopefully, you’re able to find your own way to engage with your music, be it videos, going through music books, looking online, recording yourself or just listening to music. A year or so ago I was aware that a number of classical musicians undertook a 100 days of practice challenge whereby they recorded themselves for 100 consecutive days. Over that period, their focus shifted, their performances and technique improved. It’s not for everyone but I liked the idea of commitment to something you care about.

Another thing I am trying to do is to digitise some of my cassette archive. It is taking a while to get off the ground, but the numbers of forgotten gems, private recordings, cassette-only releases, copies passed on by others is a great incentive. It will take a good while once it gets going, but I feel it will be worth it.

Similarly for boxes of misfiled sheet music. Some people are able to file things very neatly and are much more organised than myself in a way that I can only admire. If I can’t be quite like that, I can at least sift through those duplicates, manuscripts and print-outs a bit more. It might make locating some of the tunes to learn a little easier.

A couple of final points. Many independent artists release recordings on Bandcamp.  They recently had a Friday whereby they waived their fees to artists on all purchases. There will be other ones coming up too. Spotify etc. are great for convenience, but give the artists next to nothing per play. If there is someone you really like, consider buying something from them to keep them going.

Look out for livestreams of concerts by musicians on YouTube and Facebook, maybe other platforms too. As gigging, teaching and collaboration is much harder at the moment, this is one way of getting to see them and putting something in the tips jar. Wintertrad in Edinburgh is one example and can be found on Facebook, with online gigs and workshops. There are many others, from sessions in Berwick, Boston and Belfast, to Fèis Rois virtual workshops available online until 15 May.

Stay safe and enjoy your music however you can.

April update: a celebration of community

With events cancelled and many of us in lockdown, a look ahead to what this means for FluteFling.

The Magic Flute! FluteFling Edinburgh Weekend 2019 (c) Gordon Turnbull

It’s a sunny Wednesday in Edinburgh, the windows are open and birds are busy outside. Spring is upon us and all would seem well if it wasn’t for the fact that we are in the middle of a pandemic and most people are in some form of lockdown or restricted movement. It is an uncertain and worrying time for everyone, with various concerns for health, loved ones, neighbours and colleagues, physical and mental well-being, work and finances.

It has been heartening to witness many examples of people supporting each other in the community, both locally and across the world. And there has also been much celebrating and sharing of music and song to help unite people and raise spirits in these strange and difficult times.

Traditional music connects people, places and histories and celebrates what is common to us all and the festival season would be fast approaching, when musicians, dancers and lovers of music reunite, share tunes, stories and good times together.

Traditional flute workshop with Sharon Creasey at FluteFling Edinburgh Weekend 2018 (c) Gordon Turnbull

We would have seen some of that last weekend too, with what was promising to be an amazing FluteFling Edinburgh Weekend, our seventh no less. In previous years, people have travelled far for the events in Edinburgh and Aberdeen to meet, play and learn more about traditional flute playing in Scotland and to be part of a revival. As an organiser and sometimes tutor, it is both humbling and inspiring to be part of this and to witness it take on a life of its own, fuelled by the energy, enthusiasm and support of the community that has grown up around FluteFling.

It is a particularly difficult time for those freelance musicians and performers who rely on performances and audiences for an income. Please do what you can to support them — if you buy their music, follow them on social media, share their work or reach out to them, it all helps. And look out for performances from home via various streaming apps. Facebook seems to be popular for this, but there will be other outlets too, such as Youtube.

For some of us in lockdown and not key workers on the front line, events force us to slow down, restrict our movements and reflect. For me, this slower pace and gifted time has allowed me to get the flute out more, to begin thinking about ideas for future FluteFling activities, to begin tweaking and tidying up the website. The various people who are involved in running FluteFling events will also be exploring ideas together.

On a personal note, I have found it difficult in recent months, maybe years if truth be told, to focus on some parts of my own music-making. It is true I am sure for many of us with busy lives and commitments and so maybe this is an opportunity for us all to reconnect with our own music, be in less of a hurry to learn that tune for this session, to maybe explore existing repertoire. Time to to reexamine tone and tuning, revisit ornaments and articulation, to slow down and rediscover the joys and consider what our music means to us.

I have begun to take inspiration from something Paul McGrattan shared at Cruinniú na bhFliúit -The Flute Meeting in Ballyvourney a couple of years ago. Alongside many other ideas, he suggested recording yourself once a week to monitor progress and focus your practice. So my underused YouTube channel is now going to have a new tune or set of tunes posted every Friday during the lockdown period.

To begin with at least, this will focus on tunes that I have taught or might otherwise already be found in the Resources section or on my Soundcloud account, where they are slowed down for playing. I expect other tunes, recalled, revived, relearned or newly discovered for me, will also feature on that YouTube channel.

A flute session in Sandy Bell's Bar, Edinburgh (c) Gordon Turnbull

A flute session in Sandy Bell’s Bar, Edinburgh (c) Gordon Turnbull

There will be some other posts on this website, certainly more regularly than in recent months. But in the meantime, thank you everyone, for being involved, for playing and sharing your music and for being part of the traditional flute and whistle community in Scotland.

Stay safe and stay well and we will see each other on the other side when this is all over. The next FluteFling Weekend, whenever that may happen, will be quite some celebration, for sure.

Autumn workshops in Edinburgh and Aberdeen Weekend 2019

FluteFling returns to Aberdeen 1-3 November 2019

The 3rd FluteFling Aberdeen Weekend for traditional flutes and whistles will take place Friday 1st – Sunday 3rd November.

The weekend will include:

  • sessions each day, including performance spots
  • a full day of workshops with 3 tutors, including a special guest
  • special guest discussion

Details are are very close to being finalised. Check back for further announcements, including ticket sales.

Edinburgh workshops schedule

Gordon will be resuming monthly workshops in Portobello, Edinburgh in September. Dates and booking details will be announced as soon as the venue details have been confirmed.