FluteFling Edinburgh 2023: sunshine on Newhaven

Sunshine on Newhaven Flutes

Ali Hutton and Tom Oakes perform at FluteFling 2023 (c) Gordon Turnbull

FluteFling returned to Edinburgh with a great full weekend in May, featuring Tom Oakes and Ali Hutton in concert and workshops with Davy Maguire, Sharon Creasey and Tom Oakes.

The sun shone on a sell-out event at our new venue in the north of Edinburgh, the Heart of Newhaven Community, for our first post-lockdown weekend in Edinburgh. Just West of neighbouring Leith, it proved to be the perfect setting. (See this blog post for peek behind the scenes).

Friday

Tom Oakes had initially been invited to perform at the cancelled 2020 event, so we were delighted that he was able to take to the stage with Ali Hutton in a new duo. Support came from Sharon Creasey on her Böhm system flute, with Tom’s delicate bouzouki underpinning her strong, brilliant sound as she treated us to some of the tunes from The FluteFling Collection. It’s always a treat to listen to other flute players that we don’t always get to hear, so kudos to Niall Kenny for stepping into the other support slot despite a long shift in his day job as agricultural vet. His tone shone through as he got into the groove.

A tuning issue between Ali Hutton’s pipes and Tom’s flute at warm-up meant a last minute change as Ali took a back seat and accompanied Tom. What followed was a flute masterclass in technique, control and tone, from fast-paced cascades of newly penned tunes in tumbling time signatures to slow airs with minimal foot pedal live effects. (“The best foot pedal control from a non-driver I have ever seen”, according to Ali Hutton). Underpinned by Ali’s sympathetic guitar, sometimes driving, sometimes holding back to provide more space to the music, the packed audience were mesmerised and appreciative. For more of that considered and thoughtful control, see Tom’s album Water Street. Look out for more of Ali and Tom in the future.

Tom and Sharon were to be teaching the following day and third tutor Davy Maguire arrived from Belfast during the concert. He joined them both on stage for a rousing set of tunes to wind up the concert and preface the session in the concert hall that followed.

Tunes after the Friday night concert. (c) Gordon Turnbull

Saturday

A row of flute players playing flutes.

Flute players going through the paces during an afternoon workshop. (c) Gordon Turnbull

The sun really shone for us on the Saturday, with blue skies marking the end of a cold spring. It contributed to a special day, as we had taken over the Anchor Hub at Heart of Newhaven Community and people were able to spill out into the sunshine at the breaks between the sell-out workshops.

It was great to see so many new and familiar faces, with people catching up with each other, reconnecting and making new friends.

One big difference was the space that we had and in the middle of it all, a desk run by Coralie Mills and Linda Harkness who kept things running smoothly on the ground.

Kenny Hadden speaking on the traditional flute revival in Scotland. (c) Gordon Turnbull

As in previous years, the teaching was rounded off with a talk. Kenny Hadden gave a presentation on the history of the flute in the Folk Revival in Scotland.

Updated from the one he gave at the book launch in Stonehaven in 2022, it was an illustrated form of the introduction he wrote for The FluteFling Collection and introduced many people to a subject that is little known or misunderstood.

One highlight was the presence of Dougie Pincock, who had arrived during the day to give a talk in the evening. As a member of The Battlefield Band, Dougie had a significant part to play in the Scottish flute revival himself.

Dougie Pincock then and now, standing in front of a photo taken during his time in The Battlefield Band (c) Gordon Turnbull

Davy Maguire and Sharon Creasey listen closely as Dougie Pincock performs a set of tunes on the Highland pipes. (c) Gordon Turnbull

After a now-traditional group curry, Dougie went on to give a talk and demonstration in the hall on Highland piping and the flute.

Always a particularly engaging and entertaining speaker, Dougie is a contributor to The FluteFling Collection. Take-aways included a better understanding of the role of bagpipes in the Folk Revival, the need to learn correct versions of tunes and the importance of grace notes or articulation in Highland pipe tunes.

Following the talk, the remainder of the evening saw another session take place before we all had to make our ways home.

Sunday

Some of the contributors to The FluteFling Collection. L-R: Rebecca Knorr, Davy Maguire, Sharon Creasey (back), Kenny Hadden (seated), Gordon Turnbull (c) John Crawford

With another return to our previous traditions, brunch was in town near Sandy Bells. Rebecca Knorr joined us and we had a photo opportunity to have a gathering of tunebook contributors. Not the complete set, but the biggest number yet in the same place.

The session in a near-empty Sandy Bells was as good as any previously, with a great sound produced by all in the back space of the pub. As ever, we were joined by Cathal McConnell (also a tunebook contributor) who has become like a patron saint of the organisation.

The Sunday session in Sandy Bells. Clockwise L-R: Cathal McConnell, Sharon Creasey, Ann Ward, Martin Duckworth, Davy Maguire, Rebecca Knorr, Gordon Turnbull, Richard Elliot, Kenny Hadden.

While people had to make a move for the road home, there was still time for a final fling as a handful of us joined the excellent Waverley Bar session regulars for a short while.

The Waverley Bar session: L-R: Davy Maguire, John Martin, Geoarge Duff, Allan MacDonald (c) Gordon Turnbull

It wound up a fine weekend of music and togetherness, much needed by all of the FluteFling community after the difficulties of the past few years.

Now that we have broken the ice and found a way to do this kind of thing again, we have plans to do so again.

Not only do we have the Aberdeen weekend dates in place (3-5 November), we are already working hard for 2024, which will be the 10th anniversary of FluteFling, which we hope will be very special.

Thanks again, to all of the contributors, participants and well-wishers. In the meantime, sign up to the newsletter to keep up with these and other FluteFling activities.

Flutes at Stonehaven Folk Festival

Traditional flutes return to Stonehaven


The next big event in the diary for traditional flute players in Scotland is the Stonehaven Folk Festival 7-9 July, which features both concerts and workshops.

Nuala Kennedy, Tom Oakes and Tiernan Courell will all be involved at different points at this friendly and long established festival that always sees a strong  turnout from the Aberdeen trad flute community.

Nuala Kennedy headlines the Friday concert and will also be leading a flute workshop. Tom Oakes will be performing with Shetland fiddler Ross Couper and also teaching flute.

Tiernan Courell will teach children’s whistle workshops and perform with his band Trip. See Peter Saunders’ interview with him on YouTube on the Scottish Flute Channel. If that wasn’t enough, Irish band The Jeremiahs feature French born Julien Bruneteau on flutes and whistles.

Check out the workshops timetable here. Or go to the Stonehaven Festival website to book for concerts and workshops.

FluteFling in person events return to Edinburgh

FluteFling Edinburgh Weekend 2023 12-14 May confirmed

FluteFling Edinburgh 2023 tutors (top-bottom): Tom Oakes, Davy Maguire, Sharon Creasey.

The FluteFling Edinburgh Weekend will return in May with a weekend of concert, workshops and sessions that has proved to be successful in the past.

Taking place at Heart of Newhaven Centre, the entire weekend of concert, workshops and sessions will be based in the same location for the first time.

The weekend will open with a Friday concert featuring a new duo, Tom Oakes and Ali Hutton. Saturday tutors will be Tom Oakes, Davy Maguire and Sharon Creasey, with other guests over the weekend to be announced.

This marks a return to in-person events following the cancellation of the 2020 event due to Covid and the successful launch of The FluteFling Collection tune book at Stonehaven Folk Festival last year.

Tickets are expected to go on sale over Easter weekend.

UPDATE: Tickets are now on sale. See the event page for details.

 

 

Towards a Scottish traditional music archive

Edinburgh conference hears ideas for a Scottish trad music online portal

A yellow poster with an archive black and white photograph of a music collector with an early sound recording device.

There is a move to create a Scottish Traditional Music Archive, much like ITMA in Dublin – a one-stop shop for accessing and curating traditional music. There was a conference on this topic in June in Edinburgh organised by the Traditional Music Forum, of which FluteFling is a member. I attended online and the report from TMF head Dave Francis on the day’s proceedings is now available online for everyone to access.

There were many good speakers and for me the important realisation that the archive in Scotland is very different from Ireland, where numerous resources are housed near each other in neighbouring institutes in Dublin.

In Scotland, there are important archives dispersed across different locations, for example Edinburgh, Glasgow, Aberdeen, Perth, Dundee, The Isle of Canna and many more, plus some exclusively online, such as Tobar an Dualchais/Kist o Riches and rareTunes.

So much of Scotland is already focused on the central belt as we know and the practicalities and costs of establishing a new centre would be prohibitive. It’s arguably a good thing for the archive to be dispersed and have collections remain where they originate.

Canna House (left) Isle of Canna, run by the National Trust for Scotland. The Canna House Archive is not permitted to leave the island and is housed in temporary containers (centre and right) near the quay while building refurbishment takes place. Photo: (c) Gordon Turnbull

It was actually a stipulation of the Canna House Collection made by Margaret Fay Shaw and John Lorne Campbell (himself a flute player), that it remains on the island. The owners, the National Trust for Scotland, have taken this seriously and when I visited the Isle of Canna briefly earlier in August, refurbishment of the House meant that the archive was stored near the quay in special containers.

So the challenge will be to create an online portal that allows people to be signposted to the relevant resources as well as visiting the physical archives in person.

The FluteFling Collection: publication and launch

Cover design for The FluteFling Collection, featuring many hands holding flutes up in the air.We are delighted to be publishing a new book of traditional and original tunes from Scotland and Ireland. The FluteFling Collection contains 133 tunes from the 13 tutors and contributors to FluteFling weekends 2014-2021.

The FluteFling Collection is compiled and edited by Sharon Creasey (of Hidden Fermanagh success), with co-editors Kenny Hadden and Gordon Turnbull, and support from Dougie Pincock, Director of the School of Excellence in Traditional Music in Plockton.

The FluteFling Collection is a landmark publication in the revival of the flute in traditional music in Scotland, arguably the first of its kind for around 150 years. The collection features traditional and original music suitable for flute, whistle and low whistle, contributed by:

  • Sharon Creasey
  • John Gahagan
  • Munro Gauld
  • Kenny Hadden
  • Niall Kenny
  • Rebecca Knorr
  • Dougie Pincock
  • Davy Maguire (Ireland)
  • Claire Mann
  • Órlaith McAuliffe (Ireland)
  • Cathal McConnell (Ireland)
  • Tom Oakes
  • Gordon Turnbull

The FluteFling Collection proofing spread.

The FluteFling Collection will be available from mid July 2022 from www.flutefling.scot and in person.

This landmark tunebook is in A4 format, printed in black and white with a colour cover. Price: £18 plus P&P. The eBook in PDF format will retail for £10.

The book includes biographies and influences for each contributor, an introduction from Gordon Turnbull, an account of the Scottish traditional flute revival by Kenny Hadden and contributors’ condensed notes. An expanded version of the notes will be freely available in PDF format from the website.

All profits will go to fund future FluteFling projects and events.

‘It has been my pleasure and privilege to know some of the people involved in FluteFling for many years, from Kenny Hadden, Niall Kenny and Gordon Turnbull via our own Festival, Cruinniú na bhFliúit, to Cathal McConnell in Tommy Gunn’s kitchen in the early 1970s.

Flutefling’s dedication to the principle of ‘The Scottish Flute’, as independent but yet related to the Irish flute, is a strong indication of the healthy position of the flute in Scottish music and is due in no small part to FluteFling’s activities.

This collection is an important step in consolidating the work that has taken place in workshops over the years, and gives the flute world access to many previously unpublished and newly composed tunes’.

Hammy Hamilton, Cruinniú na bhFliúit, Ballyvourney, Co. Cork

Music in The FluteFling Collection is suitable for most instruments, but in particular flute and whistle players looking to expand and diversify their repertoire. Tune types include:

  • Reels
  • Jigs
  • Slip jigs
  • Strathspeys
  • Marches and quicksteps
  • Highlands and schottisches
  • Polkas and slides
  • Hornpipes and barndances
  • Waltzes and mazurkas
  • Airs and miscellaneous

The FluteFling Collection is part funded by the Tasgadh small grant for traditional arts.

Trad Music Forum logoFluteFling gratefully acknowledge Grant McFarlane of Fèis Phàislig and the Trad Music Forum’s Tradmentor scheme in encouraging and supporting the project in the early stages.

 

Launch at Stonehaven Folk Festival 9 July 2022

Logo for Stonehaven Folk Festival

The official launch of The FluteFling Collection will be at Stonehaven Folk Festival on Saturday 9 July. With a festival lineup that also includes Flook and Rura, it promises to be a great weekend for flutes and whistles. The FluteFling team will be there Friday-Sunday. Tickets for the event and for flute and whistle workshops can all be bought via the festival website. See the FluteFling home page for times and venues.

Sign up for the FluteFling newsletter to learn first about these and similar events. Look out for guest blog posts on the website, too.