Flute and whistle workshops in Callendar

I’m just putting together material for this weekend’s Fèis Fhoirt Adult flute and whistle workshops, which will take place 24-25 October in Callendar.

There are two single day-long workshops and there are still some spaces available in both:

  • Saturday 24 Oct: improver/ lower intermediate whistle. Low whistles are welcome to the whistle workshop.
  • Sunday 25 Oct: upper intermediate/ advanced flute. Boehm system (silver) flutes are welcome to the flute workshop, as well as the keyed or unkeyed wooden flutes that are more commonly associated with traditional music.

Both workshops will include a mix of repertoire and technique for the respective instruments. I will aim to cover a few bases, including some different tune types and probably repertoire from both Scotland and Ireland.

There are a number of other workshops also taking place, including Complete Beginners Whistle, led by Chris Ferrie. A tutors’ concert is planned and I expect some informal music sessions too.

All details, including booking, can be found on the Fèis Fhoirt web site.

In a minor key: Molly Bán

The third tune in our set of Irish reels has a less certain history than the other two. Molly Bán (or Molly Bawn) has been widely recorded but doesn’t seem to feature in collections earlier than the 1880s.

However, it shares a title (meaning Fair Molly or Fair Mary) with a ballad (in which a hunter mistakes his lover for a swan and accidentally shoots her) that was widely sung in the 19th Century in Ireland, England, Scotland, and Canada. Some history here, including reference to the publishing of the melody in the 18th Century before the ballad was written an published by Jamieson in 1806. There is a suggestion that it was overlooked by the main ballad collectors, although it doesn’t seem very clear to me why that was.

Jennifer J O’Connor has also explored The Irish Origins and Variations of the Ballad “Molly Brown” for the Canadian Journal for Traditional Music (1986). There was a book by the same name written in the 19th Cantury by Irish novelist Margaret Wolfe Hungerford and apparently the origin of the phrase “Beauty is in the eye of the beholder”.

Regarding the reel, I haven’t seen a reference connecting it to the ballad melody. Maybe it would be worth exploring further. More on the reel at the Fiddlers Companion and over at TuneArchive. Irishtune.info has a list of recordings with some short samples too.

The tune has been recorded in various keys and I was surprised to find a version I had submitted to a discussion group in the 90s showed up in a search. I had forgotten about it, but “Young” John Naughton’s is a fine Clare version of the tune with a tonal centre on A. Ours is in a modal E, with a minor feel to it and although we aren’t doing this for a week or so, a recording and music is now up, with some suggested harmonies.

There’s a particularly fine recording on Youtube by the great Paddy Carty (The Flow himself) with Conor Tully and Frank Hogan.

Finally, I came across these striking illustrations of the ballad by Owen Gent.

 

More reels and October workshops

For the next couple of weeks both Flute and Whistle classes are looking at a pair of Irish single reels with Scottish origins: The Glentown Reel and The Boyne Hunt. For most, these will be new tunes, but for everyone there will be a chance to explore some more advanced techniques with them.

I have written on The Glentown Reel previously on The Flow Music Workshops web site and also The Boyne Hunt, originally entitled The Perthshire Hunt.

With a number of people being away, it’s good to remember that it is possible to catch up on a missed class by attending one of the other ones. There is no problem with this but if you let me know that you intend to do this, I can make sure that your needs are met within the class.

Fèis Fhoirt Adult flute and whistle workshops 24-25 October

I will be leading two day-long workshops in Callendar this October as part of Fèis Fhoirt.

  • Saturday 24 Oct: improver/ lower intermediate whistle.
  • Sunday 25 Oct: upper intermediate/ advanced flute

Both workshops will include a mix of repertoire and technique for the respective instruments. Low whistles are welcome to the whistle workshop. Boehm system (silver) flutes are welcome to the flute workshop, as well as keyed or unkeyed wooden flutes that are associated with traditional music.

There are a number of other workshops also taking place, including Complete Beginners Whistle, led by Chris Ferrie.

All details, including booking, can be found on the Fèis Fhoirt web site.

Callander is situated at the edge of the Trossachs National Park and is particularly beautiful in the Autumn when the leaves turn. There is accommodation and the town is a good base for exploring the area.

Photo of Callander by Keith Yahl, some rights reserved.

The Glentown Reel/ Lord MacDonald’s

I am fascinated by Scottish tunes that cross over into Ireland and this week’s tune is no exception. The Glentown Reel has 2 parts and many names in Ireland, but it was originally a 4 part Scottish tune entitled Lord MacDonald’s Reel.

In G, it suits flutes and whistles well and the missing two parts are very similar but played lower than the range of our instruments but within the compass of the fiddle. There are various recordings of it on YouTube. Here’s a version from Unst in the Shetland Isles found on the Tobar an Dualchais / Kist o’ Riches website.

Some background on the tune and resources can be found on The Flow Music Workshops website and The Flow website, where I posted about them a few years ago. I will eventually move the resources over to this site too.

Update 27 September: New recordings and the notation have now been added to the Resources page for this year.

 

Leaving Lismore: a harmonious retreat march

This week’s tune is a retreat march, possibly written by Mrs Martin Hardie. I can find very little about it, although a few versions are listed on The Session website. Retreat marches are pipe tunes played at the end of the day rather than while disengaging from battle.

We looked at one of two versions, arranged in D for fiddles by Christine Martin, from one of her many tune books of traditional music; another is in G and arranged for whistles, possibly by Norman Chalmers. concertina, whistle and bodhràn player with Jock Tamson’s Bairns.

Links to the resources can be found on this new session’s Resources page.

Photo of Lismore in the Sound of Mull by Sylvia Wrigley, some rights reserved.