New term, new tune: The Road to Lisdoonvarna

The new term began with a look at The Road to Lisdoonvarna. The tune is a slide, which is a type of jig in 12/8 time that is common to the SW of Ireland.

Like many slides, this tune goes with a swing and mostly suits single strikes and cuts for decoration. I have notated the tune and some options for decoration and this can be found with a recording on this year’s resources page. We will follow it with a slide called The Priest and I have notated a basic version of this as well.

We spoke about different decoration types in the class. Cuts and strikes combine to make a roll; a series of cuts is used to make up a cran, which is usually on a D, but can sometimes be on an E.

The exercise for developing strikes, cuts and rolls on whistles and flutes was taught at a workshop by Breton flute player Sylvain Barou. There are some good recordings of his solo performances to be found and his website has links to some of those.

Take a listen to Conal O Grada’s playing with The Raw Bar Collective for ways of pushing more air to a note to emphasise the rhythm, particularly on polkas and slides, as well as some use of that expressive “dirty D” that was discussed.

I first put this set together when I played for a group of set dancers in Edinburgh. Some more music from there can be found on The Flow, a sister web site to this one that I hope to find time to properly update one day. This Youtube video shows slides being danced in a set dance, which provides some useful context for the talk of swing and rhythm.

Slides are related to single jigs in form, but are quite distinct. There’s a decent overview of tune types at Alan Ng’s web site and a useful discussion on The Session.

The Chieftains recorded this as a slide and then as a reel (in Dmix, as opposed to Emix). The reel itself is interesting as is it seems closely related to a reel called All the Way to Galway, which in turn is closely related to a Scottish reel, All the Way to Galloway, to be found in Kerr’s Merry Melodies.

Lisdoonvarna is on the west coast of County Clare, an area known for its traditional music and the home to a music festival, a matchmaking festival, and features in song, including one by Christy Moore.

Photo: 9 Km to Doolin 12 Km to Lisdoonvarna by Juan Luis Sotillo, some rights reserved.

More Mouth Music: S’iomadh Rud A Chunnaic Mi

S’iomadh Rud A Chunnaic Mi (Many’s the Thing I Saw) is the latest Slow and Steady tune and is a piece of port a beul (mouth music) that is also a reel. The largely straightforward construction of this tune makes it suitable for getting to grips with the rhythm of the reel.

I was reminded of this tune through two routes, one through the recent Youtube video of Irish fiddler Kevin Burke and guitarist Mícheál Ó Domhnaill, who sang the port. I believe they recorded this on Portland and the Breton Gavotte that we recently covered also appeared on that album. I also found this tune in Davy Garrett’s gem of a book, An Fhideag Airgid (A Whistle Tutor for Highland Music) as I was looking at a version of A’ Cur nan Gobhar às a’ Chreig, itself a version of the Shetland reel Oot Be Est da Vong, that the Improvers class covered last week.

There’s a discussion of the tune over on The Session, where Nigel Gatherer describes the tune as a version of Cenneag Mhor, which he has music up for on his highly recommended web site. You can also find a translation of the lyrics in that discussion.

The class resources for this tune are in place. The Burke/ Ó Domhnaill version is below. I mistakenly used this to illustrate the Gavotte recently, but I have now corrected that. A version of it can also be found on The Tannahill Weaver’s Cullen Bay recording.

Dates and a Breton Gavotte

Last night the Slow and Steady class learned a Breton tune that I have since discovered is an untitled Ton Double Gavotte from the playing of fiddler Kevin Burke on his Portland album with guitarist Mícheál Ó’Domhnaill. They also played together in The Bothy Band and made a couple of duet recordings, all of which are highly recommended. He also plays with Celtic Fiddle Festival, a group with fiddlers from different countries.

We also discussed the English band Blowzabella and later I mentioned Ti Jaz to Pierre-Marie. You may also want to check out flute player Jean-Michel Veillon, his work with the groups Kornog and Barzaz and this interview with him. If you are completely new to Breton music, you have to check out Alain Stivell, who first brought the music to the wider world. There is plenty more to explore and lots of links on YouTube of course.

The dots for the tunes will be up presently but recordings of the Gavotte and an An Dro I thought we might also try are available in the Resources section.

In the meantime, you might enjoy this video of people dancing and discussing gavottes:

Dates reminder

It’s October break in Edinburgh so there will be no FluteFling class on Thursday 17th. Classes resume on Thursday 24th with the Improvers class. Slow and Steady resume on Thursday 31st.

Photo: Binou and bombarde players by Ludovic, some rights reserved.

FluteFling Autumn term 2013

Flutes and whistles: Bhreatnach, David Begg, Emily Donohoe and Bruce Curtis in Sandy Bell's, Edinburgh

Flutes and whistles: L-R: Saidhbhin Bhreatnach, David Begg, Emily Donohoe and Bruce Curtis in Sandy Bell’s, Edinburgh

The Summer term has only just finished but already I am looking ahead to the Autumn term. One of my many jobs this summer is making things easier for everyone to find so this site will become a one-stop shop for my flute and whistle teaching*.

So the first thing I have done is organise the dates for the Autumn term, which begins on Thursday 12th September with the Slow and Steady class. The Improvers class begins the following week on Thursday 19th September. The term will be 6 classes long, with the classes alternating and there once again being a break in mid October. Full details on the About page and other dates into Summer 2014 can be found on the Diary page.

Slow and Steady? What’s happened to the Beginners class? Don’t worry, this is essentially the same class, beginners are still welcome, but we always take things steadily in this class, which some people find useful.

The Improvers class continues to cover a range of abilities, experiences and backgrounds.

*The Flow will still contain useful information relating to traditional flute playing and The Flow Music Workshops will still carry information related to my other music teaching activities.

 Photo: Flutes and whistles: L-R: Saidhbhin Bhreatnach, David Begg, Emily Donohoe and Bruce Curtis in Sandy Bell’s, Edinburgh by Gordon Turnbull