More Mouth Music: S’iomadh Rud A Chunnaic Mi

S’iomadh Rud A Chunnaic Mi (Many’s the Thing I Saw) is the latest Slow and Steady tune and is a piece of port a beul (mouth music) that is also a reel. The largely straightforward construction of this tune makes it suitable for getting to grips with the rhythm of the reel.

I was reminded of this tune through two routes, one through the recent Youtube video of Irish fiddler Kevin Burke and guitarist Mícheál Ó Domhnaill, who sang the port. I believe they recorded this on Portland and the Breton Gavotte that we recently covered also appeared on that album. I also found this tune in Davy Garrett’s gem of a book, An Fhideag Airgid (A Whistle Tutor for Highland Music) as I was looking at a version of A’ Cur nan Gobhar às a’ Chreig, itself a version of the Shetland reel Oot Be Est da Vong, that the Improvers class covered last week.

There’s a discussion of the tune over on The Session, where Nigel Gatherer describes the tune as a version of Cenneag Mhor, which he has music up for on his highly recommended web site. You can also find a translation of the lyrics in that discussion.

The class resources for this tune are in place. The Burke/ Ó Domhnaill version is below. I mistakenly used this to illustrate the Gavotte recently, but I have now corrected that. A version of it can also be found on The Tannahill Weaver’s Cullen Bay recording.

Sleep Soond

It's aye a fine day in VoeThe latest tune we looked at is a popular Shetland reel called Sleep Soond I’da Mornin’ (Sleep Soundly in the Morning). 

The tune uses a G# in the A part and is good for getting to grips with the challenges of doing this on the flute or whistle. Half-holing (uncovering half of the G hole is a common way of doing it. This takes getting used to in terms of accuracy, but you may find that playing A and placing the F# finger down will produce a good effect. This will of course depend on your instrument and also the octave so it is worth taking the time to experiment.

Resources for this tune have been uploaded.

Fiddle playing is enormously popular in Shetland and it has a very strong and distinctive repertoire and style. Some of this popularity will have been down to the success of The Boys of the Lough, which has featured Shetland fiddler Aly Bain and County Fermanagh flute player, whistler and singer Cathal McConnell.

I mentioned Catriona MacDonald (Shetland), Gavin Pennycook (Celtic nyckelharpa project) and Sarah-Jane Summers (Norwegian hardanger fiddle influence) as people worth listening to and I could have added many more of course. Fiddler’s Bid, both collectively and as solo members are also worth listening to.

In searching around, I found this early edition of Haand Me Down Da Fiddle as an online PDF. This is a definitive collection of Shetland tunes and method for the fiddle and the issue of copyright does occur to me here, so I hope it is OK to share the link that I found via a Google search.

 Photo: It’s aye a fine day in Voe by Duncan Cumming, some rights reserved.

Another Donegal Highland

Last night the Improvers and Beyond class learned Charlie O’Neill’s No.2, the third and final tune of a set comprising a strathspey and two Donegal highlands. The other tunes are Bidh Eoin and Charlie O’Neill’s No. 1.

The version of the tune I play has come from the playing of regular musical partner Cathy Sharp in Edinburgh sessions and it is a little different from ones I have come across online. Versions have been recorded by Altan and by Cran, that I am aware of. Cran call it Charlie O’Neill’s and I have added the number to distinguish it from the other Charlie O’Neill’s we learned. It may be that both tunes are also known by other titles.

See the Resources page for the music.

Cathy learned it in Donegal, where there are many fiddle workshops and events that reflect the dominance of the instrument in that area. Flutes barely feature at all, although the late Frankie Kennedy was part of Altan for many years and has a festival in his honour.

The Donegal highland is related to the music of Scotland, in particular that of the west coast, where that have been strong cultural links over the centuries. If you’re looking around for examples of Donegal music, this site makes a good introduction and there is a good Wikipedia overview as well.

Photo of James Byrne in Glencolmcille by Rik Walton, some rights reserved.

 

Bidh Eoin: mouth music on flute and whistle

Boat in Fisherrow HarbourThe Improvers class resumed this week with a lively piece of music from the Western Isles via Northern Ireland.

Bidh Eoin (Eoin’s Boat) is a piece of port a beul (mouth music) that I first came across on one of a series of landmark recordings of Scottish Music that were produced by The School of Scottish Studies, originally on vinyl. Consisting of field recordings, they showcase a variety of different types of traditional music to be found in Scotland. Volume 2 is Music from the Western Isles and features waukling songs, psalms and mouth music. Bidh Eoin appears there as Seallaibh Curaigh Eoghainn (Look at Ewen’s Coracle) as sung by Mrs Annie Arnott. Puirt à beul (plural) are songs for dancing to, often when no instruments are available. The emphasis is more on the rhythm and less on the meaning of the words. There are some recordings of people singing Bidh Eoin on YouTube.

This was recorded by Belfast flute player Desi Wilkinson on The Three Piece Flute and is part of a set that includes a Highland — a type of tune found in the north of Ireland that is directly related to the Scottish strathspey — which we will look at next time. Desi Wilkinson was the first person I heard play Scottish tunes on the flute and his work with the band Cran also explores the two traditions.

Update: Here’s a video of Desi Wilkinson with fiddler Gerry O’Connor and Brendan Hearty on guitar playing Bidh Eoin as part of the Steeple Sessions concerts. The following tune is Casey’s Pig, a version of The Duke of Gordon’s Birthday, written by William Marshall. Thanks to Stirling-based flute player Ian Stevens for the link.

The written and recorded resources for this tune can be found on the Resources page for the class

Photo of a boat in Fisherrow harbour, East Lothian (c) Gordon Turnbull.