Jack Broke Down da Prison Door and other news

We finished up the term a few weeks ago with a third Shetland reel to complete our set, Jack Broke Down the Prison Door.

The tune is in G and fits flutes and whistles very well. It’s in a few collections, some from Hand Me Doon Da Fiddle, which did much to popularise many Shetland tunes. There’s a recording of us all playing it in the class and the music can now be found on the Flute Fling classes Resources page.

A discussion of the tune on The Session quoted from the original source:

From the book: “Hand me Doon da Fiddle” (Tom Anderson, Pam Swing).

Dis een wis made up be an auld fiddler named Jack Goudie frae da Ness. Some said dat he’d hed a dunt on his head whin he wis young dat gave him queer turns. He wis a very good fiddler an made up loks o’ tuns. Wan night in Lerook wi a dram in him he got a queer turn an the poliss lockit him up ida auld prison. He waited til dey wir sleepin an dan he brook doon da prison door an made fir hame as fast as he could. Da poliss wir awaur it he wis gaen, bit tocht it better to let be fir let be, so dey didna geng efter him. Whin Jack got hame he took his fiddle an made up dis tun an caaed him, “Jack Broke da Prison Door”. If da listens to da first twartre notes du can hear hit sayin dat.

Further background can be found at the Tune Archive website, including a list of printed sources.

One of the books listed is Irish Traditional Fiddle Music by Randy Miller and Jack Perron (1977), who transcribed the tune form the playing of Aly Bain and Mike Whellans. Containing primarily transcriptions of tunes from commercial recordings, I have found it to be an invaluable book that appears to be little-known on these shores. I happened to come across it many years ago and even had my original copy stolen. You can get an updated edition of the book directly via their web site, although some shops may carry it. I found that link via Alan Ng’s useful Irish music site, which has a page on publications.

We ended the term with a few of us going to The Dalriada pub in Joppa and played a few tunes together as part of the regular session that goes on there. Gica Loening from Fun Fiddle was also there and we all shared some positive ideas for the new year that it will be good to follow up.

Dates and a Breton Gavotte

Last night the Slow and Steady class learned a Breton tune that I have since discovered is an untitled Ton Double Gavotte from the playing of fiddler Kevin Burke on his Portland album with guitarist Mícheál Ó’Domhnaill. They also played together in The Bothy Band and made a couple of duet recordings, all of which are highly recommended. He also plays with Celtic Fiddle Festival, a group with fiddlers from different countries.

We also discussed the English band Blowzabella and later I mentioned Ti Jaz to Pierre-Marie. You may also want to check out flute player Jean-Michel Veillon, his work with the groups Kornog and Barzaz and this interview with him. If you are completely new to Breton music, you have to check out Alain Stivell, who first brought the music to the wider world. There is plenty more to explore and lots of links on YouTube of course.

The dots for the tunes will be up presently but recordings of the Gavotte and an An Dro I thought we might also try are available in the Resources section.

In the meantime, you might enjoy this video of people dancing and discussing gavottes:

Dates reminder

It’s October break in Edinburgh so there will be no FluteFling class on Thursday 17th. Classes resume on Thursday 24th with the Improvers class. Slow and Steady resume on Thursday 31st.

Photo: Binou and bombarde players by Ludovic, some rights reserved.

New tunes for Autumn: Johnny Faa and The Little Heathery Hill

FluteFling classes resumed this week with the Slow and Steady group. We had a gentle return with the air of a Scottish song, Johnny Faa and a look ahead to the tune that I hope will go well with it, an Irish set dance called An Cnoicín Fraoich which translates as The Little Heathery Hill or The Little Heathy Hill

Johnny Faa was first published in 1720 and features in Robin Williamson’s Penny Whistle Book, which is where I first came across it. The book is not only clear with good advice but I like the way the author, a professional storyteller and founder of The Incredible String Band, provides background stories for many of the tunes. Somehow it gives the music further depth and respect, which is helpful when first encountering playing traditional music.

Johnny Faa was an historical character, the King of the Gypsies in Scotland during the reign of James IV (1473-1513) or James V (1512 –1542) of Scotland, depending in which source you reference. The tune is the melody for a song that is related to The Raggle Taggle Gypsies and other ballads and is set in Ayrshire. For the academically-minded, I found this fascinating-looking paper (free to register to view online) on the cultural background to Johnny Faa and Black Jack Davy. I hope to get the chance to read it properly.

The only time I have heard the tune played was in a pub during a gathering of traditional flute players in Aberdeen in 2001 by either Eddie McGuire or Chris Norman, who were exchanging tunes on a piccolo. They are both excellent exponents of the Scottish flute, so needless to say they brought the place to a standstill.

Music and a recording for this tune can be found on the new Resources 2013-14 page.

The Little Heathery Hill is an Irish set dance or long dance from Munster in the SW of Ireland, a tune that has particular steps for a solo dancer associated with it. Not to be confused with set dancing, which is a social type of dance.

There aren’t many recordings of this tune, although YouTube has a few, including this nice version played on 5 string banjo. Furthermore I have never heard it played by anyone else, despite coming across it initially in Bulmer and Sharpley’s collection in the 1980s. It needs to be heard more I believe. A little background to the tune, first published in the 1860s, can be found on the TuneArchive web site.

The tune features F natural, which can be a challenge on a keyless flute or whistle. However, it occurs with an E before and after the note, it becomes possible to slide the E finger to bend the note up and then back down, which fits well with the overall feel of the tune and its shifting modes.

Set dances have a kind of hornpipe feel, but this tune can also be played in a more stately way too, leading out from Johnny Faa. I play it both ways in my recording, which can be found on the resources page for the term.

Photo of North Hill of the Eildon Hills by Bex Ross, published under a Creative Commons licence.

FluteFling Autumn term 2013

Flutes and whistles: Bhreatnach, David Begg, Emily Donohoe and Bruce Curtis in Sandy Bell's, Edinburgh

Flutes and whistles: L-R: Saidhbhin Bhreatnach, David Begg, Emily Donohoe and Bruce Curtis in Sandy Bell’s, Edinburgh

The Summer term has only just finished but already I am looking ahead to the Autumn term. One of my many jobs this summer is making things easier for everyone to find so this site will become a one-stop shop for my flute and whistle teaching*.

So the first thing I have done is organise the dates for the Autumn term, which begins on Thursday 12th September with the Slow and Steady class. The Improvers class begins the following week on Thursday 19th September. The term will be 6 classes long, with the classes alternating and there once again being a break in mid October. Full details on the About page and other dates into Summer 2014 can be found on the Diary page.

Slow and Steady? What’s happened to the Beginners class? Don’t worry, this is essentially the same class, beginners are still welcome, but we always take things steadily in this class, which some people find useful.

The Improvers class continues to cover a range of abilities, experiences and backgrounds.

*The Flow will still contain useful information relating to traditional flute playing and The Flow Music Workshops will still carry information related to my other music teaching activities.

 Photo: Flutes and whistles: L-R: Saidhbhin Bhreatnach, David Begg, Emily Donohoe and Bruce Curtis in Sandy Bell’s, Edinburgh by Gordon Turnbull

Flute and whistle classes in Edinburgh this Autumn

This Autumn, the regular traditional flute and whistle classes in Portobello, Edinburgh resume with a new name. Fun Flute is becoming FluteFling to clarify the more folky and traditional part of the classes. (The ‘fun’ part is a given!)

Flute Fling was originally the name of the Spring workshop in Portobello, and I have every intention of running further ones under this name. However, it made most sense to me to bring these two strands of my traditional music teaching together under the one name.

I will continue to run whistle classes with the Scots Music Group and will also be teaching whistle to children at the busy Portobello Music School.

Photo: An Poitin Still (19) by youn-ar-gall under a Creative Commons license. Some rights reserved.